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  “I’ll tell you about that,” the taxi driver said, and did, all the way to the house in Thirty-seventh Street. It was not, Dorian reluctantly decided—at Forty-eighth and Madison—as interesting as he thought it was; it was merely a story he told people when they asked. Even taxi drivers could be, on occasion, long-winded. But she told him it was very interesting when she tipped him, and went up the brownstone steps. It then was ten minutes after five.

  She had closed the outer door behind her, and was digging her keys out of her purse before she fully realized that there was somebody in the vestibule—somebody merely standing there, waiting for something, smoking the end of a cigar which had filled the vestibule with acrid, choking fumes. Presumably it was the fumes, she thought, that made her feel strangely and very suddenly uncomfortable. It was not clear in that quick moment whether the discomfort was of mind or body, or of both. It was merely that something intangibly unpleasant seemed to have happened when she closed the door behind her.

  It had been bright outside—in the taxicab with its glass roof, on the sidewalk as she crossed it. It was much dimmer in the vestibule and she had at first only a feeling that the man who leaned against the wall opposite the mailboxes, and looked at her without saying anything, was bulky and, somehow, mussed. Then she realized that he was wearing a seersucker suit, which hung on him loosely—hung loosely over a large, loose body.

  She looked away after her first glance, and started to make the two steps or so which would take her to the inner door. The man did not move, or make any sound, but she knew that he was going to speak. Without entirely realizing what she was doing, she hurried with the key, and it made a clinking, metallic sound against the plate of the lock. For no reason, absurdly, it became necessary to put the door between herself and this bulking man in seersucker, this man with the large, soft face. But even as she hurried, she knew that she was not going to accomplish this before he spoke.

  His voice was heavy—softly heavy like the rest of him—when he did speak. But there was nothing inimical in what he said. He merely repeated her name, questioningly, for identification.

  She turned immediately, facing him.

  “Yes?” she said. She said only that much and waited. He moved away from the wall, but there did not seem to be any threat in his motion. He even smiled, displaying a broken tooth in his lower left jaw.

  “Headquarters,” he said. He smiled again. “Police Headquarters, Miss Hunt.” He put his hand in his coat pocket and took it out and showed her a shield cupped in his hand. He smiled again, more obviously. “You want to see Lieutenant Weigand,” he said, as a statement, not an enquiry. “You’ve got something to tell him?”

  “I—” Dorian started, and stopped. Her greenish eyes narrowed a little, but the man did not seem to notice this. He went on, his voice soft and low and rumbling.

  “You came here earlier,” the man said. “But our man missed you. Then he lost you. They sent me here on the chance you might come back, see?”

  “Yes,” Dorian said. “But I don’t understand—”

  He broke in again, easily, reassuringly.

  “Sure,” he said. “At this magazine now—this Esprit. Where the guy jumped out the window. You saw something. You wanted to tell the police about it and you thought of Weigand. Friend of his, maybe?”

  Dorian Hunt’s curved lips curved a little more, for an instant, in the beginning of a smile. Then the smile vanished.

  “Yes,” she said. “So you’re a detective too? Homicide?”

  “That’s right, miss,” he said. “Detective Farno.”

  “That’s—” Dorian began, and again she stopped. When she resumed her sentence took a different shape. “You’re one of Lieutenant Weigand’s men?”

  “That’s right, miss,” Detective Farno said. “The lieutenant sent me to ask you to come down—to come around.” He paused and nodded heavily. “May as well tell you,” he said, “we think maybe it wasn’t suicide, see? Or accident. Somethin’ came up, see? After you left. So Weigand sent this other guy—a guy named Piper—out to ask would you come around so we could check up on a coupla points. And Piper missed you.” He smiled again, showing the broken tooth. “Reticent, see, this guy Piper. Don’t like to horn in.”

  Dorian Hunt had moved a little away from the door. Now, very inconspicuously, she began to edge toward it again. The key was still in her hand, and she moved so that the hand with the key was screened from the detective by her body. He did not seem to see her movement.

  “I’ll tell you, miss,” he went on, and his soft voice—a voice which seemed to paw at her gently, like a soft hand—was ingratiating. “Weigand thinks maybe you saw something important without realizing it, see? Without giving it a real tumble, see? He wants to ask you questions, see?”

  “What questions?” Dorian said. “I don’t know, really, whether I saw anything or not. That was why I came here, instead of going to Lieutenant Weigand’s office. I wanted to see whether he thought it was important before I did anything officially.”

  The words covered her continued, almost imperceptible, movement toward the door. They covered the time it took to raise the hand with the key in it toward the lock. Still Detective Farno did not seem to notice her movement, still he smiled. But now he moved a step closer to her.

  “That’s what he figured,” Farno said. “That’s exactly how he figured it, miss. But don’t ask me what questions, see? I’m just a messenger.” He paused and she thought he was thinking, planning what to say next. “You see, miss,” he said then, “Weigand ain’t at his office right now, see? He’s interviewing a guy who might know something, at the guy’s apartment. He wants you should come along there, so he sends me to take you there, see?”

  “Of course,” Dorian said, and now the key was almost in the lock. But now, also, he was much nearer … and now she saw his eyes away from her face and knew that he saw the hand which held the key, was just pressing it into the lock of the door.

  “Look,” he said. “You don’t live here, miss? Because—” His eyes swung toward the names over the mailboxes.

  “But I do,” she said and then, and only then, she seemed to get the point of his glance at the names. “Oh,” she said, “I see why you wondered. I’m here with a friend, you see. Just temporarily. That’s how I happened to meet the lieutenant. He came in to see my friend.”

  “Yeah?” Farno said, but then he smiled again. “Sure, miss,” he said. “Sure, I see how it is.” He was very close, now. “But you don’t need to go up. This won’t take only a few minutes and then we’ll bring you back here. If we wait, the lieutenant might be gone some-wheres else, see?”

  And then he reached out and took her arm.

  “You want to come right along now, don’t you, miss?” he said, and it was not really a question.

  The fat hand on her arm exerted pressure—light pressure, hardly more than a suggestion of pressure. And then she looked at the very pale blue eyes of Detective Farno, which were unexpectedly small in his round face. The eyes, too, exerted pressure. And the eyes belied the softness of the voice, the gentleness of the pressure on her arm.

  “I just wanted to tell my friend I’d be late,” Dorian said. “It wouldn’t take—”

  “Now, miss,” Farno said, “we can’t keep Weigand waiting. You wouldn’t want to do that, would you?”

  “No,” Dorian said, and her voice had an odd note in it. “No, I wouldn’t want to do that, Mr. Farno.”

  The soft hand propelled her. The pressure was still light, the force was only implied. But the implication of force, the now unwavering regard from the small blue eyes, were almost more frightening than violence would have been. They told her that she did not really have any choice; that all of their talk, all the explanations, meant nothing. This man Farno had come to get her. He had her. She was going with him. She had to go with him.

  Farno’s left hand, which was not on her arm, was in Farno’s coat pocket as they turned down Thirty-seventh Street toward F
ourth. It stayed in his pocket when, perhaps fifty feet from the steps of the house, his right hand directed her toward a Pontiac coupe at the curb. He did not say anything, or need to. He did not open the door for her; he let her open it for herself.

  Under the compulsion of that soft right hand, Dorian climbed into the Pontiac and sat in the seat next to the driver’s. But then the big soft detective hesitated and, looking up at him, Dorian saw an odd flicker in his eyes for an instant. Then it was gone, as he solved his problem.

  “You drive, miss?” he said, and Dorian nodded. “You drive,” he said again, this time as an order. She slid under the wheel and he sat beside her. He produced the ignition key and leaned back against the side of the car, so that he could face her. He sat twisted enough so that she could see the left hand in the coat pocket.

  Under his instructions, without conversation except for his briefly spoken directions, they went downtown on Fourth Avenue and then, at Twenty-third, east. On Second Avenue they went south again for several blocks, turned into a side street and stopped. Dorian parked the car, and did not need to be told to leave it by sliding across the seat toward the big man as he stood on the curb. She said nothing, and he did not say anything. They went through an entryway with metal walls painted a dingy brown and up a flight of stairs. Then they went up another and down a narrow hall. Farno stopped them in front of a door on the right.

  “This is it,” he said.

  “Lieutenant Weigand’s here?” Dorian said, and looked at Farno.

  “Sure, miss,” Farno said, and then he laughed, almost soundlessly. His soft body in the seersucker shook with the laughter. He knocked on the door and a smaller, dark man opened it. It took Dorian a moment to remember where she had seen him, and how she had thought she remembered seeing him even before that and then decided that it was because he looked like so many other people—in a sense, like all other people.

  “Did you get it fixed?” she said, unexpectedly to herself. The small dark man looked at her and was clearly puzzled. Then he looked at Farno and shrugged.

  “But of course,” Dorian said, “you weren’t really fixing anything at Bonwit’s. You were following me.”

  “What gives?” the dark man said, speaking to Farno. Farno’s heavy shoulders went up and down.

  “She saw you,” Farno said, enlightened, and used his soft body to push Dorian through the door. When she felt him against her she moved quickly, involuntarily, seeking to avoid the softness. Farno pulled the door to behind them. “Everybody always sees you, Piper,” he said. He looked at Piper. “You don’t look like anybody, and still people always see you,” he said. “It beats me.”

  It was a small, meagerly furnished room, and it smelled as if the windows were never opened. Dorian stood in the center of it, and looked at Piper briefly and then at Farno.

  “What do you want?” she said.

  “Now, miss,” Farno said. “Like I told you. We want to know what you saw where the guy jumped.”

  “That was a lie,” Dorian said. “And it was a lie that Bill would be here. Lieutenant Weigand. Did you think that wasn’t obvious?”

  Piper snickered. It was an odd, pleased sound.

  “Smart guy, ain’t you,” the little man said to the big one. “Smarter than any dame.”

  “Shut up,” Farno said. He slurred the words together. His little pale blue eyes fixed themselves on Dorian’s face.

  “We want to know what you saw,” he said. “Tell me what you saw, see?”

  “And you’ll let me go?” Dorian said. There was irony in her voice.

  “Now, miss,” Farno said. “Sure.”

  He was bland and smiling again. Apparently he welcomed that suggestion from her; apparently he thought she believed it. Dorian realized that what she suspected when they got into the car was true. The big man—this Farno who pretended to be a detective—was a very stupid man. And little Piper was a man who snickered.

  And it was then, really for the first time, that Dorian was afraid. The muscles around her heart seemed to contract; it seemed for the instant that her blood ran slowly, checked.

  The first hard fear lasted only for an instant. But when it vanished she was still afraid. She had not realized that mere stupidity could be so frightening.

  “I didn’t see anything,” she said. “What would I see? There wasn’t anything.”

  “Now, miss,” Farno said, “don’t give us that. What did you see?”

  “Nothing,” Dorian said. “The room—the open window. That was all.”

  “Now, miss,” Farno said again, “what’re you trying to give us? We know you saw something, see?”

  “No.”

  “Sure you saw something,” Piper said. “You and this other dame both saw something. Like she says, you—”

  “Skip it, Piper,” Farno said. He moved close to Dorian, and put his right hand on her shoulder. The pressure was not so gentle now.

  “This lady don’t want to hear what somebody else saw,” he said, and his voice was still soft—and still like a kind of soft pressure. “This lady wants to tell us what she saw. Ain’t that right, lady?” He paused, but not for an answer. He looked at Dorian with the small pale eyes, and the eyes seemed to have no expression. “Sure that’s right,” he said. “Because she don’t want we should get tough.” He shook her, not hard. “Ain’t that right, lady?” he said. “You don’t want us to get tough, do you?” He shook her again. “See?” he said. His voice was still mild.

  The little man called Piper snickered again.

  3

  FRIDAY

  5:20 P.M. TO 7:45 P.M.

  Asking no special favors of traffic, Bill Weigand turned his Buick convertible off Park Avenue into Thirty-seventh Street and cruised slowly, looking for a place to park. Then, about midway of the block, a small coupe pulled away from the right-hand curb, fitted itself into traffic and rolled toward Madison. Bill Weigand decided he was lucky. The gap was not filled when he reached it, and he eased the Buick in. The driver of the little coupe had done him a good turn.

  Bill locked the ignition, went up the street fifty feet or so and ran up brownstone steps. He went up as if it were important to reach the top quickly. Inside the house he went, still fast, up a flight to the second floor and outside one of the two doors on the landing he whistled on a certain note. He seemed to wait a second for something to happen, and when nothing did he looked a little disappointed. He unlocked the door and, as he opened it, whistled again on the same note. Nothing happened again. Then he called “Hey!” but without confidence. He tossed his hat toward a chair and went to a desk in the pleasant living room which stretched the width of the house, its windows looking out on a tree which seemed strangely content to be thrust through a square hole in the sidewalk of Thirty-seventh Street, and to find nutriment somehow among the twisting pipes and conduits below. The tree had the hopeful green leaves of June.

  Bill Weigand went to a desk and turned over letters. A couple he tossed aside, three he opened, scanned briefly and dropped back on the desk. Then, for a man who had moved with such quick certainty, he seemed oddly at a loss about what to do next. He looked around the room and shook his head. He picked his hat up from a chair and went down an inner hall and hung it up in a hall closet. He went past the bathroom door and to the big bedroom which crossed the rear half of the second floor of the house. He looked around it as if he expected to see something—as if he were looking for something. He heard footsteps in the hall outside and his attention quickened and, at almost the same moment, relaxed again. He looked at his watch and went back into the living room and looked at his watch again. He crossed to one of the windows and looked down on Thirty-seventh Street. By leaning close to the window he could look up the street toward Madison.

  He sat down and lighted a cigarette and, after what seemed rather a long time to him, looked at his watch again. It had been six minutes. He leaned back, frowned, got up and went to the desk again. He looked at the letters he had read and read tw
o of them again, abstractedly. Then he went back to the window and looked out on Thirty-seventh.

  By twenty minutes after six he had looked at his watch half a dozen times, he had smoked two more cigarettes and he had once again listened to and been disappointed by footsteps in the outer hall. It was six twenty-five when he ground out the current cigarette with a hard, twisting gesture, as if the action put a period to something, and picked a telephone off a stand near the fireplace. He held the telephone on his knee and dialed and, when he was answered, said, “Hello, Pam.”

  “Where are you, Bill?” Pam North said. “Because we’re getting thirsty and you’re supposed to be here.”

  “That’s the trouble,” Bill Weigand said. “We’re going to be late, apparently. Dorian hasn’t got here.”

  “She’s late,” Pam North told him. “Fifteen for the shampoo, half an hour for the set, half an hour under the dryer, half an hour combing out and fifteen to twenty for the manicure, except that might go with the drying. That makes—what does that make? An hour and fifteen minutes?”

  “An hour and forty-five minutes or two hours,” Bill told her. “Depending on the manicure.”

  “Whether it goes with the dryer,” Pam said. “Are you sure it’s that long? Jerry!” There was a pause. Bill could hear Jerry North’s voice, apparently at some distance. “He says he wasn’t listening,” Pam said. “We’ll have to take your figures I guess, Bill. And don’t say anything about stubs!”

  “Stubs?” Bill Weigand said. “I don’t—”

  “Check stubs,” Pam said. “Women in relation to. Just put it at two hours. She had an appointment at three. Where is she?”

  “Oh,” Bill said, “she may have met somebody and stopped for a cocktail. I just wanted you to know we would be a little late.”

  There was a pause and Bill waited.

  “Look,” Pam said, “she was at a suicide today. Could that make any difference?”

  “At a what?” Bill said. Unconsciously his voice went up a little in volume.